What Artworks might Benin Kingdom produce sans the 1897 punitive expedition1 ?

What-if a guild of AI Bronze casters could re-envision the arts in Benin Kingdom [1897-1914]?

Data Source

Bronze casting in ancient [pre-1897] Benin Kingdom were royal prerogatives carried out by a guild of bronze casters. However, the 1897 British punitive expedition disrupted this tradition—the British Military invaded the kingdom2, Oba Ovonramwen was deposed & exiled to Calabar, cultural objects were stolen from the palace. Most of the loot was accessioned to the British Museum, a range of Museums in Germania and the rest sold off to offset the cost of the raid3.

Fast forward to 1914, the restoration of the Obaship
4 led to a revival of the arts in the kingdom. Oba Eweka II commissioned works to replace the stolen: an altar dedicated to his father—Oba Ovonramwen, a collective altar dedicated to Obas that reigned before him, the Benin Arts and Crafts School.

Between 1897—1914, art-making in the kingdom was nonexistent [or at best minimal]. Òmònògba AI is my attempt to "redo history". I often wonder what artistic traditions may have developed during this 17 year break. What could Benin's artistic style look like, sans the potpourri and effects of the punitive expedition, colonialism, modernism, post-colonialism, postmodernism? How might the Benin artist & artistic style morph? While, I realize these questions will not efface an event that occurred 123 years ago, I am interested in exploring the opportunity Machine Learning presents.

Using data from Museums that currently have looted works in their collections, I am training Òmònògba, a guild of AI Bronze casters to assist in exploring the above mentioned questions.